Could just be TH2 and this particular model. Sure there is a difference in tubes and how they effect EQ, but honestly there was a lot more depth and presence in the real thing. I thought they would be closer but the T2 sim was a lot more scooped, fizzier, and boomy compared to the real amp pre-amp. Wanted to compare my T2's preamp out into my DAW with an impulse and compared it to the VST counterpart, Overloud's TH2. Please note: When you buy products through links on this page, we may earn an affiliate commission.I tried something similar yesterday actually. Just remember to have fun while you’re at it! To survive in the music world today you have to be willing to experiment. Jamey Staub is a mixer/producer who has learned that if one way doesn’t get you the sound that you are looking for, then try another. Just do what you have to do to make it sound RIGHT. In the world of music production you always have to use the tools available, whether old school or new skool. In my opinion, nothing beats capturing sound in air… Send the live amp sound back into the DAW that you are using and adjust the blend to suit your mix. If you can’t get them in phase then move the room mic a small amount backward or forward and check the phase again. Make sure that the mics are in phase with each other by switching the phase button on your mic pre.
One method I use to record guitar amps is to use a dynamic mic ( Shure SM57 or Senheiser 421) close to the speaker (3-6 inches) and a condenser room mic ( Neuman U 87 or AKG 414) (6-15 feet). This way, not only are you actually moving air with the speaker, you are also allowing yourself to use several different mics to capture the physical space you are in (i.e.
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Simply send your guitar signal out of a free output of your converter (If you are using your laptop’s converter and only have a stereo output you will have to solo the guitar track so that the entire mix doesn’t get sent to the amp or pan the mix to one side and the guitar to the other – that way you can monitor the mix while tweaking the amp settings) into the reamping device and into the input of the real amp. When I want to use that beauty, I use a reamping device. IspaceWalkSometimes and Staub at OK Records.ĭon’t settle for mediocrity! I have a Fender Concert Amp with four Celestion speakers that I just love. And of course you can choose the type and placement of the virtual microphone which, is fun and interesting.
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Logic Pro also has a decent amp simulation plug-in.
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There are several other choices such as Amp Farm which I love because of the many different amp choices available, plus the graphics are cool. One of the guitar tracks was too clean for the harmony track, so I put a guitar amp plug-in Amplitube on the insert and voila, after a bit of tweaking got the sound I wanted for the track. I used a plug-in! The song is an Iron Maiden-inspired tune with multiple lead guitar melodies.
What I did on the song “ What’s Left to See,” by IspaceWalkSometimes was much simpler. These days, however, there are other options. We often used this method in the late ‘80’s and ’90’s.
In this case you can take a recorded signal, run it back through the guitar amp of your choice and take the time to adjust the settings to your liking as called for by the song style. A proper re-amping device converts a balanced signal to an unbalanced signal, reduces a high studio-level (line-level) signal down to a low guitar-level signal, and shifts the output to a high instrument-level impedance (typically a guitar pickup impedance).
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